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ManilART exhibit showcases Betis artists

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Layug Legacy. Maestro Willy Layug is joined by NCCA’s Danny Rayos del Sol, Embassy of Italy’s head of the consular chancery Dott. Antonio Gallo, and Guagua Mayor Dante Torres in cutting the ceremonial ribbon opening the satellite exhibit. Contributed photo


 

CITY OF SAN FERNANDO – Foremost maestro in ecclesiastical art Willy Tadeo Layug and other artists from Betis showcased their works in this year’s ManilART 2021: The National Art Fair satellite exhibit hosted at the artist’s quaint mansion in Villa Viatarit in Betis, Guagua town.

ManilART is the flagship activity of the National Commission for Culture and the Arts’ Museums and Galleries Month, celebrated every October with its 13th edition themed “Continuing Legacies.” Six satellite shows located in different cities in Luzon and Mindanao have been put up for this year.

The exhibit dubbed “The Layug Legacy and Betis Ecclesiastical Art” actually featured some of the best-known works of Layug. The exhibit stresses the contribution of Layug to Betis and the national ecclesiastical art scene.

The event also featured works of Layug’s brother Edwin Layug and several artists from the Mandukit Anluagui ning Sta. Ursula, a collective of the locale’s sculptors.

The artworks chronicle the different stages in the development of Layug’s unique style as well as coming of age of his other artistic expressions in painting and carving. Willy brings to the public the culmination of his years of training as well as his art’s transcendence to other mediums both uniquely Filipino and Spanish-inspired.

The Betis exhibit was attended by the Embassy of Italy’s head of the consular chancery Dott. Antonio Gallo, NCCA National Committee on Art Galleries head Danny Rayos del Sol, Guagua Mayor Dante Torres and local stakeholders of Betis’ woodcarving industry.

Del Sol told reporters that the pandemic is not a hindrance to appreciation of art and honoring the contribution of Filipino artists to the continuing growth of the wealth of art produced in recent years.

Layug, for his part, thanked the NCCA for continuously supporting the local woodcarving industry in Betis.

The son of a simple boatman who started sculpting at five years old using clay, Layug created the image of Our Lady of Palo used by Pope Francis in the Holy Mass in Tacloban. He now joins the elite rank of four other “Pro Ecclesia et Pontifice” Filipino awardees, which include musician and composer Ryan Cayabyab, noted liturgist and theologian Dom Anscar Chupungco, OSB, Jesuit composer and Cebu politician-writer Mariano Jesus Diosomito Cuenco and musician Rev. Fr. Eduardo Pardo Hontiveros.

The Kapampangan artist from Betis in Guagua is the first Filipino to put up the first ever Filipiniana-inspired altar dedicated to Filipino Saint Lorenzo Ruiz and Blessed Pedro Calungsod at the prestigious Pontifico Collegio Filippino.

He has done major retablos including that at the Cathedral of St. Joseph in Nueva Ecija, the St. John Cathedral in Lingayen-Dagupan, San Sebastian Cathedral in Bacolod, and Cathedral of the Immaculate Concepcion in Urdaneta, Pangasinan. Layug was also named Outstanding Guaguaeño for sculpture, Most Outstanding Kapampangan for ecclesiastical art and Best Actor in the 39th Metro Manila Film Festival for “Dukit,” an autobiography of his life as an artist.

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